King Lear A Shakespearean Tragedy Essays - King Lear, Goneril, Fool

King Lear: A Shakespearean Tragedy There has been many different views on the plays of William Shakespeare and definitions of what kind of play they were. The two most popular would be the comedy and the tragedy. King Lear to some people may be a comedy because they believe that the play has been over exaggerated. Others would say King Lear was a tragedy because there is so much suffering and chaos. What makes a Shakespearean play a comedy or a tragedy? King Lear would be a tragedy because it meets all the requirements of a tragedy as defined by Andrew Cecil Bradley. Bradley states that a Shakespearean tragedy must have to be the story of the hero and that there is exceptional suffering and calamity slowly being worn in as well as it being contrasted to happier times. The play also depicts the troubled parts in his life and eventually his death that is instantaneous caused by the suffering and calamity. There is the feeling of fear in the play as well, that makes men see how blind they are not knowing when fortune or something else would be on them. The hero must be of a high status on the chain and the hero also possesses a tragic flaw that initiates the tragedy. The fall of the hero is not felt by him alone but creates a chain reaction which affects everything below him. There must also be the element of chance or accident that influences some point in the play. King Lear meets all of these requirements that has been laid out by Bradley which is the most logical for a definition of a tragedy as compared to the definition of a comedy by G. Wilson Knight. The main character of the play would be King Lear who in terms of Bradley would be the hero and hold the highest position is the social chain. Lear out of Pride and anger has banished Cordelia and split the kingdom in half to the two older sisters, Goneril and Regan. This is Lear's tragic flaw which prevents him to see the true faces of people because his pride and anger overrides his judgement. As we see in the first act, Lear does not listen to Kent's plea to see closer to the true faces of his daughters. Kent has hurt Lear's pride by disobeying his order to stay out of his and Cordelia's way when Lear has already warned him, "The bow is bent and drawn, make from the shaft." Kent still disobeys Lear and is banished. Because of this flaw, Lear has initiated the tragedy by disturbing the order in the chain of being by dividing the kingdom, banishing his best servant and daughter, and giving up his thrown. Due to this flaw, Lear has given way to the two older daughters to conspire against him. Lear is finally thrown out of his daughters home and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters. Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent. Lear also suffers from rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter Cordelia. This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters. The feeling of fear is when Lear is in the storm raging against the gods, "I tax not you, you elements, with unkindness. I never gave you kingdom, called you children, you owe me no subscription.", telling them to rage harder since he has not done anything for them and that he didn't deserve what he has received from his two daughters. The fear is how Lear in a short period of time went from king to just a regular peasant and from strong and prideful to weak and unconfident. This shows that men do not hold their own destiny and that even though things may be great now you can be struck down just as fast as was to Lear. The fall of Lear is not just the suffering of one man but the suffering of everyone down the chain. Gloucester loses his status and eyes, Cordelia and Kent

Directions for Direct Address

Directions for Direct Address Directions for Direct Address Directions for Direct Address By Mark Nichol This post, dear reader, describes proper punctuation and capitalization associated with writing in which one or more people are being addressed by name or role. Confusion abounds about how or whether to set off a proper or common noun that serves as a label for one or more people from a statement directed at that audience, and when to capitalize the first letter of an otherwise lowercased word that serves that function. One of the outcomes of the trend toward less formal correspondence is the tendency of writers to omit punctuation from salutations, as in â€Å"Hi Buffy!† Technically, the greeting should read, â€Å"Hi, Buffy!† I can’t police Muffy’s every missive to Buffy, but at the risk of sounding stuffy and making Muffy huffy I’ll remind her (and everyone else) of that fact in this public forum. (However, because dear in â€Å"Dear Buffy† is a modifier, not an interjection, that phrase receives no punctuation.) Another locution that, by the ubiquity of erroneous usage, increases such errors virally is the incorrectly comma-free truncation of â€Å"May I have your attention, shoppers† and the like: â€Å"Attention shoppers.† The word shoppers is a form of direct address and must therefore be set off from the preceding interjection by a comma. A comma should, likewise, be inserted after the direct address in â€Å"Ladies and gentlemen start your engines,† which otherwise reads as if the statement means that well-bred women and men provide the service of turning the readers’ ignition keys. Whenever a sentence communicates that one or more people are being spoken to, a comma (or two) is part of the process. When the term of address precedes the statement, insert a comma after the term of address: â€Å"Sir, please follow me.† When the term of address follows the statement, insert a comma before the term of address: â€Å"Good job, everybody.† When the term of address is inserted into the statement, brace it with two commas: â€Å"Please, miss, can you tell me the time?† But note that these terms of address do not begin with uppercase letters. When are such terms capitalized? This emphasis is generally provided only when the term is a substitution for a known name: â€Å"What do you suggest, Doctor?† â€Å"Please tell us, Senator, how you came to that conclusion.† This rule applies to designations of family relationships, too: â€Å"Can I go see a movie, Mom?† (Or â€Å"I asked Mom if I could go see a movie.† But â€Å"I asked my mom if I could go see a movie,† because, in this case, you’re merely describing the person â€Å"my mom† not naming her.) Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Style category, check our popular posts, or choose a related post below:Congratulations on or for?Running Amok or Running Amuck?Charles's Pen and Jesus' Name